This exhibition is the final episode in the artist s series on Colonial America, his successful combining of art, history, and sometimes wicked but always fun-to-read commentary on people Europeans adventurers and explorers, North American Indians, freed and enslaved blacks, and ravishing women who love, laugh, and die on the banks of the Hudson from Manhattan up to Lake Oneida. The action begins in 1791 and continues through 1793, real time for New York City just flaunting its new identity on the southern tip of the island of Manhattan, and thriving under English rule. The city s first denizens, the Dutch, are has beens, unwillingly departed from the city they called New Amsterdam, and now skirmishing with their Iroquois allies in the Hudson Valley nearby to the north. Real and not real, fact and fiction, Frengland (a combo of France, England, and Ireland) and Batavia (the Netherlands) fight the climactic Battle of Yonkers, recorded and viewed for the first time at the Hudson River Museum, situated by the river in the very countryside that inspired the 19th-century Hudson River School painters. The landscapes of three artists, Jasper Cropsey, Asher Durand, and James Renwick Brevoort, paintings on view at the Museum, inspired Frohawk s scenic work for this exhibition, which also include almost a dozen new pieces among them The Battle of Yonkers and the Death of Iroquois Chief Joseph. Also new to Frohawk s story and the Hudson Valley is a Trojan Horse. Named for the war machine with which the ancient Greeks surprised the Trojans, Frohawk s horse holds some surprises of its own it sports two heads and is filled with warriors from both sides of the quarrel. Glass figures, they are fragile and exhausted from the wars. The wooden horse soars 22 feet high in the center of the exhibition and is illuminated from within. For Frohawk followers, favorite characters reappear, too, among them Bonnie Prince Johnnie and his flamboyant general Orlande, Duc du Rouen, who admidst his crew was a gilded peacock with sapphires for eyes. Umar Rashid (Frohawk Two Feathers), an Illinois native who now lives and works in Los Angeles, California, first studied photography, film, and writing at Southern Illinois University at Carbondale. His recent solo exhibitions include the Wadsworth Athenaeum (Hartford, CT), Wellin Museum of Art (Clinton, NY), the Visual Arts Center of New Jersey (Summit, NJ), the Nevada Museum of Art (Reno, NV), and the Museum of Contemporary Art (Denver, CO). The exhibition is organized by the Hudson River Museum and curated its Deputy Director Bartholomew F. Bland.